Firstly, I would like to say thank you for the time and effort that you are willing to put into making my gift :) The order of the fandom/requests and/or the number of details/prompts for each is no indication of how much I want something - I would be very happy to get something for any of my requests! Optional details are optional, of course, but if you're like me and like to have lots of info to work with, I've tried to provide some info on the sorts of things I like (and don't) and give prompts for each of the characters I’ve requested.
I'm good with slash, het or fem for background ships!
All ratings up to R.
A focus on the romantic/emotional aspect of a relationship and some semblance of a plot/point rather than just sex.
Unrequited (or secretly requited) pining.
Complicated relationship dynamics, love triangles, relationships that take some effort/time to work, loving each other but because [insert reasons here] not always being able to be together/communicate those feelings, etc in this vain.
UST. Eventually resolved is probably better than not, however, not a must-have.
Conversely from the above – romantic partners who just can’t help but adore each other.
Praise kink (in the sense that there’s a lot of emotional investment in and getting-off on getting praised or otherwise acknowledged as worthwhile. Works especially well with characters who are deeply insecure. I’m generally fond of other related things, such as body worship, partners being encouraging during sex in a very sweet, reassuring way, etc).
Threesomes/moresomes and polyamory.
Incest (unless specifically asked for or canon).
Parings with large age disparity (over 15 years) unless specifically asked for.
Pedophilia (please keep minors in sexual relationships with adults 16 and over; if both partners are teens 14-15 is ok if treated appropriately).
NC-17 and PWPs.
BDSM, omegaverse, and most kink. (NOT included in this: foreplay; bantery/lighthearted roleplay for the purposes of foreplay; preferences for a certain sexual position, fascination with a partner’s physical trait, such as, e.g., preferring redheads or virgins or younger partners or being fascinated by someone’s shoulders; rough/aggressive/desperate sex or outside-of-bedroom inequalities that transfer into the bedroom, even though there may be pining down of wrists or some other element that could be considered a kink or part of BDSM; anything specifically listed as a “like”).
Foot fetishes (I know I said liking specific body parts is fine, but feet are the exception).
Humiliation (both sexual and not).
Non-con/rape (dub-con that leans toward/ends up as consensual is ok).
Mpreg; cross-dressing; genderbending/genderswap.
Genres/Themes (and such): Likes:
Angst, drama. (Please don’t try to use this as a challenge to see how many angst/dark tropes you can fit into a single fic. I have no issue with dark themes, angst is my crack and things like character death don’t bother me, but if it feels like it’s just a marathon of horrible things happening with no light anywhere to be seen…that’s a little too intense for me.)
Humor is fun too, but I like it more as an element in the story rather than a story that sets out to be funny first and foremost.
Hurt/comfort (for m/m).
LOYALTY KINK! Themes of loyalty in general. Protectiveness.
Friendship, family (dynamics), platonic love.
Fluff, banter, cuddling/snuggling, kissing, general adorableness (and adoration!).
Well-rounded characters, characters with emotions/sympathetic motives; the “other side of the story”.
AUs that subvert the universe or drastically change the setting (eg: genderswaping the cast, setting a modern fandom as a fairytale, turning a historical fandom all Sifi, Coffee Shop/College AUs, etc. This includes stuff like A/B/O and inserting magic/supernatural elements into a non-magic/supernatural universe).
Character bashing. (Especially with requested characters.)
Graphic gore and violence. Horror.
Torture. (Mentions are fine if torture is something that happens in canon. BUT no deaths/executions by torture – eg: drawing and quartering – whatsoever. No torture of requested characters whatsoever.)
Humiliation; any sort of glorification of bullying (this includes things like victim blaming, etc).
Narrative implications that “sex = love” or that romantic partners HAVE to have sex to have a “valid” relationship or to be “really” in love with each other.
Barber of Siberia (1998) Canon can be streemed here. (There are English subs for the parts that are in Russian.) Polievsky/Andrei Tolstoy. I LOVE cadet boys. Especially in this movie. The interactions between the boys are always so entertaining and amusing and the sense of friendship you get is so awesome. I do ship these two pretty hard! General shippy things I'd like to see: first time, UST, jealousy, hurt/comfort, general cuteness, cuddling, post-movie angst. I would LOVE to know what was going on in their heads before, during and after the duel and if there was some cuddling afterwards. When Polievsky spoke to Jane after the duel he said that he wanted to “knock the envy” out of himself, but what if he meant jealousy? Or, maybe, a tearful goodbye before Andrei is shipped off to Siberia? The fact that they would have to hide their relationship from their friends (?) makes it even more exciting! For something less heavy, again, drunken fun and exploits and visits to the actresses or something which end in snogging each other in the slay/carriage on the way back, would be wonderful. I feel like I’m not being super coherent but I just have so many feelings (and not so many concrete ideas, unfortunately) about these two and I would love to see them together.
18th c. Russia RPF So. Peter III is currently a historical fave of mine. Characterization wise - something that will vary wildly depending on who you ask or what book you read - my views on him are in line with the more modern perspective on him: he wasn't cruel, or an idiot, or a drunk, or a ~bad person. Hot tempered? Yea. Terrible at politics? Yea. Never got over his patriotic feelings for the country where he grew up (at least for the first 14 years of his life). Yes. Stubborn, often tactless and not particularly brave? More or less. But he was also kind-hearted, unpretentious, candid and genuine, dedicated to doing right by his people (as he understood it at least), supportive of a liberal reforms program (in which he participated avidly) and the fine arts, loyal to his friends... Look, I'm gonna put this under a spoiler cut, but if you're interested here's way more info than you probably want to know but what the hell, feel free to skip, skim or read as desired:
Peter, the workaholic enthusiast who signed over 200 new edicts within his short six-month rule. Who got up early and attempted the overwhelming task to overseeing everything himself, and yet still had time to party in the evenings. Who upbraided his senators for not coming to work on time and was constantly shocked and upset by the lack of discipline in the guards regiments.
Peter, the liberal reformer and idealist who launched a series of very progressive reforms.Here’s a short list: emancipated the nobility, abolished the secret chancellery/police (known for torture), required education for the children nobles and provided for the establishment of technical schools for lower-class children in several cities, removed restrictions on various exports, secularized church lands and surfs, ended the persecution of Old Believers (and generally insisted that violence not be used again non-Christians, although from what I understand, this wasn’t formal legislation), recalled political exiles, made the murder of a surf by a their master/a nobleman a severely punishable crime, got rid of the slovo i delo system of denunciation. He also began a codification of the laws, but this never went anywhere – not enough time – and had wanted/tried to end/reduce corruption in the bureaucracy. (Silly boy, no one’s been able to do this before or since.)Peter, who wanted to be remembered for the good things he did during his rule, who refused the golden statute of himself which the senate had offered to erect in gratitude for the edict emancipating the nobility, and said that the senators could put their money to better use. He wanted his monument to be “in the hearts of the people.” (Dear God, I could go on forever lol.)
Peter, the appreciator and supporter of music and theater. He played the violin with a fair amount of skill (Aunt Elizabeth didn’t approve so he had to take lessons practically in secret) and established a court orchestra and music school at Oranienbaum.
Peter, who had a good (though far from perfect) education, a massive library that he was highly invested in. Who had, according to his tutor in Russia, a superior memory and a love for fortification, an interest in mathematics and the sciences, but a lack of interest in the humanities.
Peter, who was never given a choice in which country he ended up ruling. Who was taken from his home and everything he knew at the age of 14 to go to a country completely foreign to him. Who was often homesick and torn in his loyalty and duty to Holstein and his duty to the Russian people. And yet, he tried to do right by both. (There was only so much he could do for Holstein while he was in Russia – Elizabeth denied her nephew permission to leave the country repeatedly despite his oral and written requests – but he did as much as he could through letters. And he was dead-set on winning Schleswig back from Denmark.)
Peter, who was generous and kind-hearted, amiable, if volatile, with an irreverent and ironic sense of humor (which inevitably offended some people). Straightforward and candid – tactless sometimes – stubborn and determined, excitable and enthusiastic. Hot tempered. Not very brave. Childish and insecure in some ways. Peter, who cared little for ranks and distinctions, and cared far more for someone’s merit or personal amiability than the accident of their birth. (He liked to talk to and spend time with soldiers, servants, common people…which naturally scandalized the courtiers.)
Peter, who wrote heartbreaking notes to his wife. Who named the first “toy” fortress he had built at Oranienbaum (allegedly, he drafted the calculations and blueprints for it himself) Ekaterinburg, in honor of his wife. He tried to impress her with what he had: played the violin for her, tried to interest her in his military-themed games and projects. But they were vastly different people and absolutely incompatible, and she had nothing but contempt for him.
Peter, whose biggest sin was that he was absolutely rubbish at being a politician. He didn’t realize how dangerous alienating the church and the guards regiments could be. He insisted on giving Catherine the benefit of the doubt, even when he knew she was capable of seizing power. He didn’t know how to twist things and to be manipulative – it wasn’t in his nature at all. He didn't know how to properly hide his feelings - including those of admiration for Friedrich the Great and his divided patriotic loyalties.His strengths, in this sense, were also his weaknesses.
Anywayyyy ships! (Another note: I know Peter had a mistress, Elizabeth Vorontsov, for many years including up to his death. I don't particularly care how you want to work around that. I think I would even be ok with the relationships occupying the same timeframe so to speak. I could see the participants viewing them differently because one is het and the other same-sex and maybe do some hand-wavy "well-they'd-think-about-it-differently-back-then" type of thing, just to make everyone's life easier.)
Pyotr Fyodorovich | Peter III/Christian August von Brockdorff
Brockdorff was Peter’s chamberlain from before he came to Russia in his capacity as the Duke of Holstein. Brockdorff’s father and Peter’s father were friends. A Lady Brockdorff was also prominent at the Kiel court at the time (though I’m not sure of her relation to Christian exactly). There are issues with establishing Brockdorff's age but for fanfic/RPF purposes I like to assume they were about agemates. When Peter was taken to Russia at the age of 14, the man in charge of his education (something of a head tutor), Brümmer, came with him. Brümmer then advised Russian ministers that Brockdorff had such an influence on Peter that he should not be allowed into the country. (Brümmer considered it negative influence, but given the man’s tendency to be abusive and generally not give a damn about Peter’s best interests, his assessment is highly suspect. Catherine didn’t like Brockdorff either, but they had a personal rivalry going.) So when Brockdorff tried to follow Peter to Russia, he was turned away at the border. But here’s the really fun part! Brockdorff didn’t stop trying to get to Peter. Finally (about 1754-5) he found a way to get to the Petersburg court – he traveled incognito (allegedly as a glass merchant), basically sneaking into the country. In Petersburg, he got a warm reception from Peter and stayed in his existing position as chamberlain. He continued to have a lot of influence on Peter (which really irritated Catherine as they didn’t get along and Brockdorff constantly advised Peter to divorce her), and on Peter’s ascension to the throne, Brockdorff received the Order of St. Alexander Nevsky.
Prompts! Them back as young teenagers back in Holstein, falling in love for the first time ever only for Peter to be taken away to Russia shortly thereafter. (I have a headcanon pet theory that the reason Brummer didn’t like Brockdorff so much was because the latter constantly attempted to shield Peter from Brummer’s abuses and tried to convince the young Duke to exert some influence on his guardians and get Brummer removed.) Writing to each other during their period of separation. Brockdorff desperately trying to get to Peter at all costs. Their reunion. Hurt/comfort after one of Peter’s frequent illnesses or once another one of Catherine’s many affairs comes to light.
Brockdorff being supportive of Peter’s reform ideas; talking them through together. (On the other hand, disagreements and fights and angst because Brockdorff, being far more politically savvy would see that some of the things Peter was doing were bad for him politically and would try to stop him and well...that wouldn't go over well. I don't remember off the top of my head which ambassador this was, but one of there's a comment in some political correspondence circa 1760 that Brockdorff has lost a lot of influence with Peter at this point. What gives?) Or, you know, just fluff and taking a holiday together. All the loyalty kink - Brockdorff vs. Catherine as she works against Peter politically while Brockdorff tries to manipulate things in his favor at court. All the angst post-coup.
Gudovich was Peter’s chamberlain and then, later, adjutant. He was one of Peter’s closest confidants and he was the man Peter entrusted with bringing news to Friedrich the Great that Peter intended to sue for peace and end the 7 Years War. During the coup, Gudovich stayed with Peter until the very end. When Peter was brought to Peterhof after his initial abdication, the only two people who accompanied him there (other than the convoy, ofc) were Liza Vorontsov (his mistress) and Gudovich. They were both arrested at Peterhof on their arrival and briefly imprisoned. At one point, after his arrest, Peter asked Catherine for permission to leave the country. He also asked to be allowed to take Liza and Gudovich with him. After everything, Gudovich was released and Catherine asked him if he wanted to re-enter the service/stay at court. He, however, resigned promptly and went abroad where he stayed for several years. On his return to Russia he lived at his country estate and only returned to court upon a summons, via a very touching note, from Paul I, Peter’s son.
Prompts! Their first meeting! I always got this feeling off Gudovich that he was a bit of an over-sensitive idealist. Loyalty kink and maybe a bit of star-struck hero-worship wouldn't be amiss here. I imagine Gudovich would be very supportive of Peter's reforms and he kind of a stand-out among the Russian crowd at court in that he supported Peter's foreign policy too. So maybe them bonding over that? The day of coup from Gudovich's POV maybe? All the angst surrounding the coup in general. Fluff - a holiday retreat, fireworks and stolen kisses far away from everyone. IDK I see this one as more of like the fluff ship.
If you were so inclined as to write something with BOTH Brockdorff and Gudovich in it (yay love triangles! -- Gudovich as more of the "yes man" and Brockdorff is more the "I know you don't want to hear this but it's for your own good"-type and the squabling over who is more of a favorite; but I feel like they would bond out of shared grief post-coup) I would be overwhelmed with delight :D
War and Peace [I specifically nommed and requested the book, but just in case -- I didn’t care one bit for the newest adaptation, so show!canon and characterizations are a strong DNW for this fandom.]
Dolokhov/Anatole. I ship Dolokhov/Anatole SUPER HARD. Dolokhov obviously tries to take care of Anatole in his own way (see scene where he tries to talk Anatole out of running away with Natasha) and canon even says that Anatole “genuinely loves” Dolokhov. Personal headcanon is that Dolokhov takes not just a leading but protector-type role in this relationship, but you can play with that as you like. I think Dolokhov would secretly enjoy being someone’s hero – he’s good at taking care of people he actually loves. I also feel like Anatole would allow him to be himself in a way that he doesn’t get to do elsewhere, because Anatole doesn’t expect him to be righteous nor is he judgmental nor does he care much for things like rank and position. They share interests, they share friends. It just works. (In fact, if you’d like to see some of my notes/meta on Anatole’s characterization, I have a post on that.)
You could do anything with these two! Happy fluffy summertime fic, banter, first time, UST (especially at a ball), friendship-turned-more, drunk fooling around. All the hurt/comfort (post-war/Borodino, post-Natasha fiasco, post-duel). Or awfully angsty war!fic. What about that whole Anatole/Natasha thing? How does that fit in? Did it cause a rupture in their relationship or was it a catalyst for realizing they have feelings for each other? Maybe Anatole has a teenage crush on Dolokhov, who ignores it at first because they have a significant age difference. Anatole goes away for some time (abroad?) and comes back a few years later. Suddenly, they’re both adults and maybe this time the tables have turned?
For something more “serious” – having to hide their relationship; maybe Anatole is in denial about having romantic feelings for men? There are some major socioeconomic imbalances in this relationship, but Dolokhov has the upper hand personality and intellect wise and an exploration of how all that translates into power dynamics within the relationship would be cool. Not to say that their relationship has to be flawless. With someone like Dolokhov it’s never going to be. I’m sure there would be plenty of jealousy and cheating and hurting each other (probably unintentional on Anatole’s end and intentional on Dolokhov’s). I’d be up for a kinda-fix-it where Anatole survives the war and well…that’s going to cause its own slew of problems and issues, but maybe a happy ending of sorts if you go in this direction? I do want these two to be happy, but their angst has the potential to be extremely delicious.
Екатерина | Catherine (TV 2014) Peter/Brockdorff. Obviously, feel free to skip historical research as this is not an RPF request, but in case you're interested:
Before Peter III was called to Russia to take his place as the crown prince, he grew up in a German/Prussian family. His father was close with Brockdorff's father. Peter and Brockdorff obviously knew each other during Peter’s childhood (potentially they were agemates – I haven’t been able to find a reliable source to confirm Brockdroff’s date of birth) because by the time Peter was called to Russia (he was 14), Brümmer, who was in charge of Peter’s education after the boy’s father died, advised Russian ministers that Brockdorff had such an influence on Peter, that he should not be allowed into the country. (Brümmer considered it negative influence, but given the man’s tendency to be abusive and generally not give a damn about Peter’s best interests, his assessment is highly suspect. Catherine didn’t like Brockdorff either, but they had a personal rivalry going.) So when Brockdorff tried to follow Peter to Russia, he was turned away at the border. Several years later he ended up basically sneaking into the country (in the guise of a glass merchant) anyway, came to Petersburg, got a warm reception from Peter and stayed as the latter’s Kammerherr. (Source).
Also, I wrote a shipper’s manifesto in case that’s helpful to anyone? [BE ADVISED there are GIFs, though they are under spoiler cuts.)
Brockdorff is always in the background but also always around, even when it doesn’t seem like he has a “duty” to be. (Or any comprehensible reason? Like when Peter is woken up in the middle of the night to go watch Catherine give birth and Brockdorff is there with him. I mean, other than like providing moral support, why would he be there?) Even if you don’t want to use historical background, Brockdorff seems to be the one person who is always exclusively on Peter’s side. (Well, Liza too.) There are just so many little, subtle things. But the potential in this ship for loyalty kink and hurt/comfort and kinda awkward/messed up power dynamics is through the roof. This could even be a one-sided ship. I love the dynamic of the emotionally vulnerable, mildly daft Prince and his loyal and more competent/composed underling (chamberlain in this case).
You could go fluffy – private, happy moments. Maybe they fly that kite (and watch it burn up in the air!). Maybe the reason Peter mentioned the kite at all as something that would make him happy is because that’s something he and Brockdorff would do as kids back in Holstein before things got complicated. Pre-canon childhood fic in general! Triumphant moments/success during Peter’s short rule and/or grand plans for a brighter future. (Oooh! Their first kiss?) Some cute scenes with Pavel maybe? If they get into a relationship, when/how do they make the switch from formality to informality? (Especially Brockdorff, as Peter is already all over the place with his yous and thous. but Brockdorff is always overproper and I'd love to see how that formality may break down in intense/intimate moments.)
Or all the angst! Brockdorff’s one-sided love or a complicated relationship made even more complicated by Peter’s constantly worsening paranoia and dissatisfaction with everything. Peter having to leave home (Holstein) and everyone/everything he knows behind. Brockdorff dealing with the coup and Peter’s death – when you’ve basically committed and built your entire life around someone, that’s a lot of empty space to suddenly fill when they’re gone. Having to say goodbye when Peter is first called away to Russia (and Brockdorff swearing he’ll come and join him as soon as he can?).
Hurt/comfort would be amazing <3 Aftermath of Peter’s smallpox and all the emotional fallout and insecurity there and/or remaining physical weakness, for more tradition h/c. Or maybe Brockdorff walks in on Peter during a private breakdown/vulnerable moment after he finds out that Catherine is going to have a child after all and that child might very well not be his. Peter’s constantly dealing with a lot – social pressures of being the heir, insecurity/sense of inferiority instilled by Elizabeth’s constant disappointment, homesickness (especially during his first years in Russia), a failed marriage, constant fears about the future. It’s ripe for some hurt/comfort!
For artists: anything cute/adorable, hugs and cuddles, kissing, holding hands, horseback riding, nature setting, summer days, balls and fancy clothes, longing looks (hidden or not, requited or not), mementos/things that remind one of the other (Peter’s sword with the ribbon comes to mind, also his violin), flying a kite (which burns up in the air!), quiet/intimate moments, curling up under blankets during a thunderstorm, snowy settings… Please no sex. I'd preffer a rating of PG-13 or lower for art.